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Sunday, May 30, 2021

What We Train For

We don't always train for the right things. Or, more properly, not always the permanently right things. After all, a life is full of change, and what serves us well at one point may be entirely the wrong thing twenty years down the road.

 

At least, this is how I justify my own situation. I trained for the piano. I played and practiced and noodled. I played for pleasure. To alleviate sorrow. I trained for a very dimly envisioned future that might involve music. I thought I was the bee's knees and the cat's meow, yes, but I loved the feeling of accomplishment and mastery that might come after diligent practice. I made it a point to have a piano wherever we lived, not being able to imagine life without a keyboard in my home. From age six until age 75, I fancied myself some minor kind of musician.

 

That's one thing I trained for—until I didn't.

 

I also trained to speak French, starting with two years of college French and then a year in Montpelier, where I celebrated my twentieth birthday on Christmas day, dining with a kind host family. I ate oysters for the first time in my life, and I found a pearl in my oyster. What an omen, eh?

 

I continued to train—to study French, to teach French, until I didn't. From about 1970 to the present I let my French slide (except for the three months we spent in Menton in 1990, when I had an embarrassing and somewhat exhilarating crash course in conversational French).

 

And now, my French is almost totally gone, except for a few pronunciation quirks. I am unable to pronounce "croutons" in the North American way and instead produce a very affected "crrrouTOHNG" whenever I discuss our Caesar salad toppings. In the same way, I can't get my head around the North American pronunciation of that lovely French crescent-shaped roll. Instead, another affectation, it is "crrrwaSSAHNG. What a pain to be around me.

 

Nevertheless, I once trained in French. I once trained in piano. And now all those hours of training count for nothing, for if you don't continue training, you run to fat, metaphorically speaking.

 

The big question here is: do I care? Do I miss those former accomplishments? And the answer is an emphatic "no". I've moved on to other things, whatever they may be. My days are full even without the piano and French.

 

The mystery right now is why we still have a piano in the living room. I've always had a piano, my nostalgia tells me. But really! In that tiny room, why keep a big black box that isn't used? What would Mari Kondo advise? Aren't you supposed to inventory your belongings every year and get rid of what you haven't used in the past twelve months? My piano qualifies. I should sell it. Should I sell it?

 

All that training down the drain. But that isn't true. During the years when I was learning the piano and learning French, both interests were real and filled me with joy and accomplishment. I am to be admired, I think, for having the courage to let go of what no longer serves me or even makes me smile.

 

 

Copyright © 2021 Ann Tudor
Musings blog: http://www.scenesfromthejourney.blogspot.com
Audible.Ca: go to https://www.audible.ca and search for Ann Tudor
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Sunday, May 23, 2021

What They All Say

 

Go against it.

What they all say is bound to be wrong.

They don't know your song

no matter how clearly you sing it,

how fervently you intone

the sound that is yours.

What they all say applies to them

(if to anyone).

It has nothing to do with you.

 

There is no path,

so it is up to you

to blaze your trail.

 

And here I notice,

like the change from minor to major,

the contrast between

the vowels of song and wrong

and the bright sound of blaze and trail.

That open long-a sails into the world,

making change,

ably ranging toward the plain.

 
 
 
Copyright © 2021 Ann Tudor
Musings blog: http://www.scenesfromthejourney.blogspot.com
Audible.Ca: go to https://www.audible.ca and search for Ann Tudor
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Sunday, May 16, 2021

Whispers

Someone unseen bends down

and whispers in my ear—

ominous, portentous, threatening.

Or so I imagine simply from the circumstances:

the whispering,

the unseen-ness,

the bending down.

But my ears hear erratically,

resisting the meaning of sibilantly whispered phrases.

My brain cannot process this string of "s" sounds

that whistle into my ear canal and remain simply esses.

 

What does it all signify?

Nothing good, probably.

Nothing pleasant, I surmise.

Not understanding the seriousness of the matter,

however,

I am free to create my own meaning.

And thus is born a Pollyanna.

Someone unseen has whispered in my ear:

she sells (successfully) sea shells

by the silvery sea shore.

Or, even better, the French:

Si six scies scient six cigares,

six-cent-six scies scieront six-cent-six cigares.

 

 

Copyright © 2021 Ann Tudor
Musings blog: http://www.scenesfromthejourney.blogspot.com
Audible.Ca: go to https://www.audible.ca and search for Ann Tudor
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Sunday, May 9, 2021

What Is Next

For many of us

what could be more daunting than

the imperative of moving toward the darkness—

whether it's the darkness of what is next

(WHAT is coming? WHAT is coming?)

or the darkness that bubbles up

from the past.

Some of us might prefer to remain floating

on the surface of the bright and known present,

our eyes closed against the sun's brilliance

even as we revel in its heat on our eyelids.

But no.

Needs must.

What is next urges itself on us,

dark and forbidding at first

and yet,

as we move into it

(with whatever bad grace),

it is transformed

into the very brilliance

of our present life.

 

 
Copyright © 2021 Ann Tudor
Musings blog: http://www.scenesfromthejourney.blogspot.com
Audible.Ca: go to https://www.audible.ca and search for Ann Tudor
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Sunday, May 2, 2021

Mashed Potato Books

Beside my bed are twenty library books. They arrive in overly large batches and it's up to me to deal with them in a timely manner. When I've read them all I can open a window in my library wait-list and another score will speed to Runnymede Library to be picked up.

 

Back to those twenty books beside my bed. At the moment there is not a single title I want to pick up. This makes me marvel, avid reader that I have always been, so it requires some pondering. My conclusion is that (because of Covid? Because of age? Laziness? Lack of engagement?)—the conclusion is that at this point in my life I am looking for a mashed potato book.

 

What do I want in a book? I want comfort. I want to wallow in the unremarkable, the unsurprising. I want to be fed, with a spoon, goodwill and happy endings. But don't get me wrong. My mashed potato books must be well written. They must engage me with their characters. I'm no dummy. I know the difference between cheap instant mashed potatoes and the real thing. I'll even accept a few lumps in the service of authenticity as long as the butter and the cream and the essential potato goodness are not lost.

 

I think I've wrung everything I can from that metaphor, but its essential truth is this: for the moment at least, my tastes have changed.

 

So here I am with these twenty unread titles, mildly cursing the reviewers who had recommended them to me. But, dear reader, I am persevering. I can get rid of half a dozen titles by reading the front cover flaps. Why did I ever think I would like a spy novel set in 1939 Berlin? Back it goes to the library. And so forth.

 

This is what my faithful book-carrier, DinoVino, refers to as his load-bearing exercise. He lugs them home from the Runnymede Branch, and then he lugs some of them back almost immediately, unread.

 

So then I discover something else. Perhaps it has been said before: you can't judge a book by its cover. In this age of excellent graphic designers (or computer design programs, more likely), we are used to striking, evocative, attention-grabbing cover art. Faced with fifteen unknown titles, I start with the covers that call to me. Sometimes that works.

 

In the past week, down to the dregs of my most recent haul, I have read, one after the other, three titles that I had previously bypassed because I was sure they wouldn't appeal to me. And I have loved each one. So there you are. You just have to go through them one by one, start reading even when predisposed not to, risk kissing scores of frogs in order to find the princely reward. And often you will be surprised to find you have a perverse affection for frogs.

 

 
 
Copyright © 2021 Ann Tudor
Musings blog: http://www.scenesfromthejourney.blogspot.com
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