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Sunday, October 30, 2022

Creativity, etc.

Creativity, etc.

 

"Unused creativity is not benign. It turns into grief. Do something with it." –Ray Bradbury

 

Oh, wow. Curse you, Ray Bradbury. Trying to light a fire under me, are you?

 

No, wait. I don't need to take this personally. When I hear a pronouncement like this—and react to it with guilt—I realize how narrow is my definition of creativity.

 

Somewhere in the depths of my mind I mistakenly imagine fiction as the ultimate (only authentic?) manifestation of creativity. So in this quote I see Ray urging me—nay, shoving me!—toward fiction as the only outlet for my creativity (which, if I don't use it, will turn to grief, etc.).

 

Well, Ray, I need to tell you why I won't be writing fiction any time soon. 1) I am incapable of imagining plots. 2) Dialogue, unless it is "me" talking to some other aspect of "me", is impossible for me. 3) The thought of trying to create a viable character—no, a whole story's worth of them—exhausts me. Which brings me to 4) I'm too lazy to want to apply myself to any of the above. To be more forgiving toward myself, I can say that I have too many other irons in the fire—and thus no time to devote to the impossible world of fiction.

 

Of course, Ray, you are not responsible for my narrow definition of creativity, are you? Let me expand it here. I can be creative in other aspects of my life, just not with a pen in my hand.  (And even with the pen, there are other forms than fiction to apply myself to.)

 

Having brandished my sword at Ray Bradbury's dragon and my own paper tiger, I will move on to talk about my real interest today: silence. Living in a large city I will never know the profound silence that, for example, Henning Mankell evokes when he describes Sweden's far north. City noise never sleeps.

 

Acting on my firm belief that everything is relative, however, I do notice silence in the city. It may not be complete, but in contrast to what we take for granted as normal, the sudden eruption of relative silence is deafening.

 

I remember walking south on Broadview from the subway station to Dearborn, the first cross street. Broadview traffic—heavy and heavily streetcar-laden—was the soup I swam in. As I reached the corner, ten feet ahead of me a worker was wheeling a rattle-trap cart loaded with recycling bins (bang, rattle-rattle, bang) from the front of his store on Broadview around the corner and into the alley behind the store.

 

It was Toronto. It was noisy. But it didn't really register as noise because it was so familiar. When I turned off Broadview onto Dearborn, the traffic noise disappeared. On this day, however, the noise continued as the cart rattle-rattled ahead of me.

 

Suddenly the worker turned into the alley with his wheelie-bins and stopped. All noise ceased and I was in a bubble of silence that washed over me like a blessing. Blessed-be for silence.

 

 

 
Copyright © 2022 Ann Tudor
Musings blog: http://www.scenesfromthejourney.blogspot.com
Audible.Ca: go to https://www.audible.ca and search for Ann Tudor
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Sunday, October 23, 2022

A Leaf Moment

I'm no longer waiting for the immersion in Nature that part of me so desires. I'm no longer filled with envy for the experiences that others relate. I finally am admitting that I live in a city and will never build a cabin in the woods.

 

This week I saw a leaf fall. You'd think I might have seen this in the past. It's true that falling leaves in October are not a surprise to me, but this week I saw a leaf fall.

 

I was sitting in the upstairs front room, looking at the same neighbourhood scene that has been the view from that window for 44 years. The maple tree--whose leaves emerge red in the spring, turn green for summer celebration, and scatter gold on the ground in October--is half-undressed right now. It was a blue-sky day, mild with only occasional gusts of wind. As I looked at the familiar and empty scene, a yellow leaf floated by on its way to the pavement. Its trajectory was more varied and more animated even than the twirling fall of a maple key. This leaf inscribed long arcs against the blue, swooping to the right, back to the left, to the right—all the while descending, an elegant dancer

following her entrancing choreography.

 

And just as the yellow leaf touched the earth, another caught my eye, pirouetting its way from up to down. Then a gust of wind gave me a dozen leaves at once, not butterflying but racketing in a wind-driven decline. Then peace again. Nothing. Blank scene. And then a single leaf fell.

 

Inspired as I was by this leaf waltz, I was prepared to watch the entire deleafing of the tree, no matter how many days it might take. That part of my brain, however, was overridden by the part that must always get thing done, and before I knew it I was downstairs doing some mundane but necessary task—leaves forgotten.

 

But the leaf incident has legs. It won't leave my mind. The woods-envy that usually colours my life is disappearing (not gone yet, but diminishing). All I need to do is see what's here—take it in fully and gratefully—and my reward is immediate.

 

This isn't the first time I've had such a lesson. Our lives are spirals, after all, and we meet the same issues over and over, on different levels. But this time I made a deeper connection with the reality of the experience. Now I know the essential nature of sitting at that window to see what might occur.

 

In fact, it is that same window that has afforded me the awareness of water drops clinging to the telephone wire like the beads of a necklace. And, in the summer, the sight of an army of ants, in single file, marching in both directions along that wire. Just open the eyes. Open the eyes.

 

 
Copyright © 2022 Ann Tudor
Musings blog: http://www.scenesfromthejourney.blogspot.com
Audible.Ca: go to https://www.audible.ca and search for Ann Tudor
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Sunday, October 16, 2022

An Apology

What is needed is

not a blanket apology

but one rich in specificity,

the rare recognition of one's complicity

in the ignorings and unrightable wrongs

that arise from our very existence.

More often we don't bother

to see our roles so clearly.

The parts we play seem small.

I am only one, we whisper.

Yet ramifications circle the globe,

touching everything.

All this is true,

and just thinking of what I have left out,

not done,

failed to acknowledge

makes me want to take to my bed

to avoid

inadvertently

doing more harm.

 

 
 
Copyright © 2022 Ann Tudor
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Sunday, October 9, 2022

Plato in the Hoosier State

I don't remember a lot from my university philosophy courses (and god forbid I should have stirred my stumps to upgrade my knowledge since then), but I do vaguely recall the idea of a Platonic ideal.

 

Pretending that I know what that means, I hereby dedicate myself to recovering the Platonic ideal of Hoosier chicken and dumplings.

 

That's what I call the dish, though I suspect its origins are more "Old Order" or Amish than actually native to Indiana. But the Hoosier state is where I ate it, so Hoosier it is to me.

 

And now I must confess that my mother never, to my knowledge, made this dish. She was not, after all, a native Hoosier but a transplanted woman of the world masquerading as a small-town Indiana housewife. Maybe the Old Guard—or some loose union of farm wives—never let her in on the secret.

 

Our Aunt Jeannette, wife of our father's brother John T., was the farm wife in question who made chicken and dumplings. This was a family dish, not a company one, so Jeannette didn't serve this when we came to dinner. In fact, the very first time I remember tasting Hoosier chicken and dumplings was at John T.'s funeral, when I was in my 40s. So, hardly a childhood memory.

 

Now, I love dumplings. Normal North American dumplings are essentially biscuit dough that is dropped by spoonfuls onto the top of a bubbling soup or stew. The lid is clapped on immediately and the stew or soup simmers for another 15 or 20 minutes while the steam cooks the biscuit dough. A very excellent dish.

 

But this is not Hoosier chicken and dumplings. Aunt Jeannette's dish was a rich chicken broth thickened with a slurry of flour and cold stock. Chicken meat was chunked up and added. The "dumplings" were actually a quick noodle dough rolled out to an eighth of an inch and cut into two-inch squares or diamonds before being dropped into the broth for cooking. The finished dish was a lightly thickened soup filled with chicken meat and noodles as soft as silk that slipped down your throat without benefit of chewing, if that's how you liked to eat them. The whole thing was usually over-salted, but I would never complain about that.

 

Several months ago I found a recipe. Not on-line, since that would be too active an approach for me. I prefer, apparently, to wait half a lifetime watching for the serendipitous appearance of whatever it is—in this case, a recipe for chicken and dumplings.

 

So yesterday I made Hoosier chicken and dumplings according to that accidentally found recipe. It was good, very filling, but it didn't even come close to my Platonic ideal of the dish. So now, having done the serendipity method, I'm off to interrogate Chef Google. He is sure to have two dozen or more recipes, so I'll pick and choose and alter and tweak and try it again. It was the noodles that were wrong in my attempt. Too thick and not soft enough. Perhaps it was the fact that one-third of the flour I used was spelt flour instead of all-purpose. Too much of a tweak.

 

This is a classic rural dish, most likely, as I said, of Mennonite or similar origin—thus essentially a German peasant dish. So it can't be that hard to make. If Aunt Jeannette—my mother's nemesis in so many ways—if Aunt Jeannette could turn out the Platonic version of Hoosier chicken and dumplings, then by golly so can I!

 

 

 
Copyright © 2022 Ann Tudor
Musings blog: http://www.scenesfromthejourney.blogspot.com
Audible.Ca: go to https://www.audible.ca and search for Ann Tudor
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Sunday, October 2, 2022

How I Wait

How I wait depends on the exigencies of the day.

The obvious opposites are these:

Impatiently.

Patiently.

Really the two rock bottom ways to wait.

 

But also eagerly. Resignedly.

Hopelessly. Hopefully. Courageously.

Passively. Aggressively.

Quietly. Tumultuously.

Invisibly.

 

And no matter the how,

the heart of it all is the waiting.

We know the inevitable

but the key is to forget it,

transcend it,

fill our hearts so completely

that there's no room for inevitables

or for waiting, no matter

how we festoon it with modifying adverbs.

 

We are waiting.

We need to know this

but then to forget it and go about our business.

Fully.

 

 
Copyright © 2022 Ann Tudor
Musings blog: http://www.scenesfromthejourney.blogspot.com
Audible.Ca: go to https://www.audible.ca and search for Ann Tudor
Audible.Com: go to https://www.audible.com and search for Ann Tudor